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Europe  Schedule/Itinerary

*11/10/2017 – Winterswijk, The Netherlands  – Partycentrum Nijenhuis

*12/10/2017 – Maastricht, The Netherlands – Muziekgieterij

*13/10/2017 – Deventer, The Netherlands  - Het Burgerweeshuis

*14/10/2017 – Utrecht, The Netherlands  -  Tivoli

*18/10/2017 – Barcelona, Spain  – Apolo

19/10/2017 – Lisbon Portugal  - Titanic

*20/10/2017 – Amstelveen, The Netherlands  - P60

*21/10/2017 – Dordrecht, The Netherlands – Bibelot

*26/10/2017 – Turnhout, Belgium  – De Warrande

*28/10/2017 –Rome, Italy  -

*31/10/2017 – Genova, Italy –


UK Schedule/Itinerary

START  in UK in Bristol on November 5

05/11 – BRISTOL, Fiddlers

06/11 – MANCHESTER, Gorilla

07/11 – GLASGOW, O2 ABC 2

08/11 – NEWCASTLE, The Cluny

09/11 – COVENTRY, Arches

10/11 – LONDON, Under The Bridge

12/11 – NOTTINGHAM, Spanky Van Dykes


Two Sevens Clash 40th Anniversary World Tour

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2 Seven Clash anniversary -high res

Culture’s “Two Sevens Clash “40 Years Anniversary Tour

Kenyatta Hill on lead Vocals with Albert Walker and Telford Nelson Original Backing Vocals and Long Time Backing Band

 An opportunity to go back in time to the beginnings of The Golden Era of Reggae and see how relevant it still is today

“Arguably the best reggae record ever made and the only reggae record to appear in Rolling Stones Top 100 coolest records ever made. Culture made only strong albums for 30 years. “

The vibe is strong as ever since Kenyatta Hill has taken the place of Joseph Hill on his passing while on  European tour in 2006. Kenyatta Hill, Joseph’s son who had been tour engineer stepped away from the sound board and finished the tour in his father’s place as lead vocalist of this iconic band.. and it was magical.

http://www.culturereggaeband. com/wp-content/uploads/2013/ 04/London-Times-Aug-28.pdf

“Likewise, the band’s signature tune Two Sevens Clash,  conceived by Joseph Hill as an apocalyptic prophecy to mark the ominous arrival  of 1977, is still an infectious dance floor filler three decades later. Take away any sympathy factor and this would still have been a terrific show. More magic than tragic, it was less about death than rebirth. “ (London Times review)

Kenyatta channels the energy, the passion, the voice and mannerisms to a tee and must be seen live to get the full experience.

“At one point I turned my back on the group and as Kenyatta sang, it was Joseph I was hearing and the hairs rose on the nape of my neck, it brought me to tears to hear that wonderful sound, a sound I thought had gone.”